"According to Clarke, "the Mandelbrot set is indeed one of the most astonishing discoveries in the entire history of mathematics. Who could have dreamed that such an incredibly simple equation could have generated images of literally infinite complexity?" Clarke also notes an "odd coincidence":"
Mandelbrot emphasized the use of fractals as realistic and useful models for describing many "rough" phenomena in the real world. He concluded that "real roughness is often fractal and can be measured."[9]: 296 Although Mandelbrot coined the term "fractal", some of the mathematical objects he presented in The Fractal Geometry of Nature had been previously described by other mathematicians. Before Mandelbrot, however, they were regarded as isolated curiosities with unnatural and non-intuitive properties. Mandelbrot brought these objects together for the first time and turned them into essential tools for the long-stalled effort to extend the scope of science to explaining non-smooth, "rough" objects in the real world. His methods of research were both old and new:
The form of geometry I increasingly favored is the oldest, most concrete, and most inclusive, specifically empowered by the eye and helped by the hand and, today, also by the computer ... bringing an element of unity to the worlds of knowing and feeling ... and, unwittingly, as a bonus, for the purpose of creating beauty.[9]: 292
Fractals are also found in human pursuits, such as music, painting, architecture, and stock market prices. Mandelbrot believed that fractals, far from being unnatural, were in many ways more intuitive and natural than the artificially smooth objects of traditional Euclidean geometry:
Clouds are not spheres, mountains are not cones, coastlines are not circles, and bark is not smooth, nor does lightning travel in a straight line.
—Mandelbrot, in his introduction to The Fractal Geometry of Nature
It's also known as God's footprint